Have you ever masturbated to Duncan Sheik? Let’s hope not. But when “Spring Awakening” comes to The Auricle, April 21-29, you can catch an angsty 19th-century German boy doing just that … or at least implying it. Written in 1892 by Franke Wedekind, this controversial show was given the rock-musical treatment in 2006 by Sheik, responsible for music and orchestration, and Steven Sater, who wrote the lyrics. The play has raised eyebrows since its first publication 120 years ago, as it unflinchingly addresses teenage issues such as abortion, rape and abuse, homosexuality and suicide. “Spring Awakening” is bold in its frankness — a rebellious posture that lends to the energy and impact of the show. Presented by the North Canton Playhouse and directed by Marci Lynn Saling, “Spring Awakening” features a cast of 17 local and regional actors who have been working since January to put together a gripping performance that balances its heavy content with catchy rock numbers and bits of humor. Wendla, played by Mackenzie Leskovec, is a 14-year-old girl who cannot find the knowledge or tools she needs to deal with the adult situations that arise in her path. Melchior (Kristopher North) is a brooding teenager who knows more about sex than the rest. Moritz (Stephen Carder) is a crowd favorite — a charismatic, easily distracted, pubescent student with a darker undercurrent. Duncan Sheik’s music gives the production a lively pace and a fearless edge, with songs like “The Bitch of Living,” “My Junk” and “Totally Fucked.” Expect a unique set, captivating plotline and keen onstage talent. This story of schoolmates in Germany presents a juxtaposition of (very) old-school society and modern attitude. It works, because the core message and central themes are timeless; the experience is universal. The show is engaging and provocative, and its journey is one that everyone can relate to in some way. “Spring Awakening” is more than just another coming-of-age tale — it’s an experience that is both intrinsic to the collective psyche and specific to each person in the audience. While the subject matter and moral themes are intended for a mature audience, graphic scenes are implied artfully and deliberately. This show is too well-crafted to rely on shock value and excessive vulgarity. In 2007, “Spring Awakening” won eight of its 11 Tony nominations, including Best Musical and Best Score, swiftly securing its place as an icon in the Broadway world. This presentation of “Spring Awakening” is unique in that it is playing at Canton’s music venue The Auricle rather than a traditional theater setting. “We are really working to make this a club atmosphere where it is just as much of a rock concert as a musical,” said Saling. “The cast will interact with the audience and really help them connect to the amazing feelings that this show evokes.” Will there be uncomfortable moments? Yes. Expect to cringe at least a couple times. Although these issues will never be comfortable, they’re ageless — proved by the history and backdrop of the story. Have a drink and get over it. Saling’s enthusiasm toward the production is contagious, and she aims to reach a broad audience. “We really want people who are musical lovers and music lovers to see this show. If you’ve never been to a theater performance before, that’s OK,” she said. “Come see this show. It is an experience that transcends traditional theater and traditional concerts and molds them into this gorgeous event that you have to see and feel to appreciate.” “Spring Awakening” promises to stir memories of agony and awkwardness from that priceless teenage quest for carnal wisdom. Performances will take place Saturday, April 21 and 28, at 2 p.m. and 8 p.m., and Sunday, April 22 and 29, at 8 p.m. Tickets are $20 before April 13 and $23 at the door. Purchase them at www.northcantonplayhouse.com or call 330-494-1613.